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"Life is funny . . ."
Showing posts with label song. Show all posts
Showing posts with label song. Show all posts

Wednesday, December 21, 2011

The Well-Pressed Cowboy, And Tattling On The Mountain

by Thomas M. Pender

I’ve been a music lover since I was a toddler.  Regardless of talent, I loved singing with the television commercials, radio, records, you name it.  Unfortunately, knowing the lyrics to a song doesn’t always equal understanding the lyrics, particularly when you are very young.

My sister and I used to sing songs with our Grandpa Mac, who played the saw and the ukulele.  Since he was a Sunday school teacher, some of the first songs we ever sang were kid-level church songs.  I understood “Jesus Loves The Little Children.”  I understood “Jesus Loves Me.”  I even got the gist of “The Old Rugged Cross,” which I heard in church and, despite its somber topic, was a favorite of mine at five years old.  One song that tended to confound me, however, was “Go Tell It On The Mountain.”

English is a very delicate language, in which a single comma, letter or two-letter word can change the entire meaning of a word or sentence.  Here, the word in question is “It.”  This word sort of breezed by me in my singing.  To me, the song was about a naughty mountain that I was being instructed to turn in to the authorities.  In other words, “Go Tell On The Mountain”!  I understood that the song was (also) about the birth of Jesus, but for some unknown reason . . . and to my memory, I never actually asked . . . some mountain had done something its parents would be very upset about, and they were supposed to be informed immediately.

Don’t worry.  As I got older, I absorbed the meaning and importance of the “It.”

The other non-intentially-humorous song that made me laugh as a child was a Western song by Marty Robbins.  My dad was a big fan of his music, and he would play Robbins' album Gunfighter Ballads and Trail Songs a lot.  In these lyrics, cowboys, sheriffs, bandits and ranchers painted a picture of the rough and beautiful Old West.  I liked listening to the songs of the good guys and the bad guys, but the hero of one song struck me as fairly ridiculous.

In the song “Big Iron,” a Texas Ranger comes into town looking for a mean and nasty outlaw.  Everyone in town fears this outlaw, but the Ranger is bold and (spoiler alert!) guns down the criminal in the end.  How he ever succeeded in doing this was a mystery to me as a child, however, since he, as the song relates, “had a big iron on his hip”!  I had watched Mom iron.  It was a useful tool, indeed, and even a bit dangerous, due to the heat exhausted from the bottom.  Still, picturing the scene as I sang, I could never figure out how a guy with a heavy appliance designed for smoothing out clothes – and which fired no projectiles at all, unless you count steam! – on his hip was going to defeat a bandit with an actual gun.  Perhaps the lightning-fast champion got close enough to the bad guy to burn his shooting hand before he could fire?

Again, it wasn’t until I was much older that I caught the slang-ness of the title.  Part of maturing is learning where you went wrong in your younger interpretations of the world, and correcting them.  In doing so, the sad attachment is that we lose the wonder of a child’s view on Life.  Somewhere, there is a fantasy land where cowboys smooth out ruffians and mountains break rules, only to be ratted out.  It doesn’t exactly sound like a bad place to be, but perhaps a bit sillier than our world.

Such dreamers of silly things and singers of silly lyrics have even been known to immortalize such fantastic images in online columns!

Monday, August 22, 2011

I Remember You

This was a poem I wrote for a college course.  We had to write one poem per week, in a style that was pre-arranged for that week.  This was my epigram poem.  The idea was to take a line from a novel, song, poem or other artistic piece, and base an entire poem around the line.  I chose a great line from a favorite song off a favorite album of a favorite singer of mine.  The line contained so much potential backstory in just a few words, and I was able to easily build an entire situation -- complete with characters, history and emotions -- from just the one line.
 

I Remember You

“Beneath these branches, I once wrote
such childish words for you.”
- Elton John


I remember you
No really
You’re that one who once--

Well, you used to tell me you loved me, anyway--

And now you sit at the other end of the kitchen table
looking at your watch and you lie on the other side of
the bed

Awake

And you don’t look at me anymore.
I mean you look at me but you don’t . . .

Well, you don’t see me anymore

And you don’t hear me and you can’t listen because
you can’t hear me and I mumble and scream and throw things
and I . . .

Remember:

There was this woman once . . .
Okay there was this girl once who used to laugh and smile
and sing and tell me how her day was and ask me how mine
was and she would say why don’t we take a vacation or why
don’t we lie in bed all day long

Together?

And you’re the one I walk around now who gets in my way
who tells me I’m no good who can’t cook a hamburger to
save her life who never tells me I’m good-looking or
I turn her on or hey baby I’d love to rip those clothes
right off your body

Like you used to

(And you used to!)

You used to love my songs that I used to
write for you and you used to tell me I was the most
romantic man alive and I was all yours and you wouldn’t
give me up for anything and oh honey sing that song again
you know the one about how much you love me love me love me . . .

What do you mean that's the problem?




written by t. michael pender  1/88
©1988 T. Michael Pender.  All rights reserved.