Rubber Chicken Soup

Rubber Chicken Soup
"Life is funny . . ."
Showing posts with label life. Show all posts
Showing posts with label life. Show all posts

Monday, October 24, 2011

Listening To Me Thinking While Writing

by Thomas M. Pender

When I write
I hear me but
I think like someone else
Watching me think
And move
While I write
While I live
When I smile
How I walk
And the person who is
Me seeing me as I live
Grabs paper when he sees
Life happen around
Me which I have
Non-purposely become
A living part of
And the writer writes
The life I live
On the paper
Where the life becomes
The words
Which echo the life
Of the writer
Though he is writing my life
And I am really living his words



written by t. michael pender 1/20/95
copyright 1995 T. Michael Pender. All rights reserved.

Friday, October 21, 2011

Tree of Boring Confusion

by Thomas M. Pender

There are a precious few actors and actresses whose names alone on billboards and trailers make me want to see a film.  When two come together to make one film, sign me up!  Brad Pitt and Sean Penn are two fine actors with great range, so when I learned that Penn was playing Pitt’s grown son (and Pitt would appear in his flashbacks), I was anticipating an emotional journey, led by these two characters.  Unfortunately, writer-director Terrence Malick’s Tree of Life is a complete waste of time.

But don’t take my word for it.  Penn himself stirred up a bit of controversy in an interview with French newspaper Le Figaro about the film.  In it, Penn said, “Frankly, I'm still trying to figure out what I'm doing there and what I was supposed to add in that context.  What's more, Terry himself never managed to explain it to me clearly.”  True enough, Penn has very little screen time, and is mainly seen standing around his high-rise office, moping.

If you’ve ever seen the last 30 minutes of 2001: A Space Odyssey, you’ll understand what I mean when I tell you that the storyline of Tree is no “line” at all, but a kaleidoscope.  You never know from one scene to the next whether you’re going to see a scene of Pitt being a bad macho father to his sons, a scene of Penn moping about with little to no dialogue, or . . . a collage of silent scenes featuring leaves and meadows.

Seriously.

The film is 2 hours and 19 minutes long, but the “action” of the film could be shown in about 40 minutes.  I didn’t see Tree until its recent DVD release, which is a blessing.  Not only did I not waste almost ten times the money on it, but I could fast-forward through the “artsy” nature scenes.  Trust me, there are a lot, and they go on and on and on!

The viewer does not end up learning anything about either character when the credits finally run.  Dad’s borderline mentally abusive, son’s mopey.  The end.  We learn nothing of Dad’s background, and nothing of the son’s adult life.

Speaking of the credits, to further illustrate the bizarreness of the film, there is a story out that when shown somewhere in Europe, a projectionist put in the second reel before the first reel . . . and no one noticed!  I suppose when credits finally told the audience an hour into the film what the name of it was and who starred in it, someone got suspicious, but this does speak volumes about the design of the film.  It’s just scene after scene with no linear or logical pattern, and you gain nothing from watching it.

I won’t give up on either star due to this one film, which is about as “artsy” as a Pollack spill.  I do feel I could do some good by waving people away from it, though.  Put The Tree of Life on your “NEVER see” list today!

Thursday, October 20, 2011

Craig and Mikey and the Missing Personality

by Thomas M. Pender

I’ve been exposed to many a personality in my years: angels, clowns, jerks, sphincters . . . the list goes on and on.  It is, however, a rare and puzzling thing when I encounter a human being who is completely devoid of any sort of character traits.  Someone who is more a piece of furniture, or perhaps an alien who just hatched from his pod, than he is human being.

Recently out of college, I got a job in the mailroom of a Troy, Michigan insurance company at the dawn of the 1990s.  A great portion of my day was spent running interoffice mail from office to office, but in the mornings, I would bring bins of mail from the post office to be sorted and distributed by myself and my allies.  One running joke among us lackeys was the question we received practically each and every time we would deliver a bigger-than-an-envelope package to a desk.  As if rehearsed, the recipient of such a package would sit back a bit, startled as though a snake had slithered out from behind their stapler, and ask, “What’s this?”

My sarcasm-laden brain would consistently respond with such inaudible gems as “I didn’t think I was allowed to use my x-ray vision on the job” and “Well, when I illegally opened it in the mailroom, it looked like Chinese porn.”  Alas, I was left to simply shrug and leave or simply roll my eyes (also internally) and leave.  They were apparently never going to understand the foolishness of their question.

Craig was a vice president of the company, and a peculiarly dry piece of human toast.  Normally, I didn’t attempt to pass the time with or amuse Craig, even though he seemed to be only a few years older than me.  I tend to gauge individuals, regardless of rank, in terms of openness, friendliness, and sense of humor.  I have been known to tease company presidents (and, in fact, had done so at this company).  When circumstances allow, and a janitor or a chairman of the board is willing to trade ribbings, I’m right there with them.

Not Craig so much.  Over my many months of working at the firm, I had seen him smile and even chuckle, but it was always with one or both of the other two men in his department, or with a client, or with the president.  He never laughed, though.  He apparently only allowed himself to chuckle at low decibels, and only for two seconds max.

Then one day, I was in a particularly cheery mood when I put a package of respectable size on Craig’s desk.  I was fully prepared for his reaction when he sat back a smidge and asked, “What’s this?”

“Some cereal,” I answered.  “Supposed to be good for ya.”

Now, folks born in the mid-‘80s or later may not get this response, but if you were alive and had a television in your house in the late ‘70s, you knew this line.  It was from an incredibly overused commercial for Life Cereal, featuring three freckly brothers.  It opens with the two older brothers discussing this new product their mother has forced on them at breakfast.  The middle brother asks the oldest “What’s this stuff?” and the oldest replies with the exact wording and tone I had used in response to “What’s this?”  After a few lines, they shove the product in front of youngest brother Mikey, who then proceeds to devour it.

I would have understood if such a reference was not exactly hilarious to our boy Craig.  Perhaps an upward jerk of his moustache would have been enough to prove I had brought some modicum of human humor to his otherwise automaton day.  Honest to God, the man blinked at me like I was speaking in Mandarin Chinese.  He had no conception – or at least, he did not allow himself to reveal that he had any conception – of something as lowly as a television commercial.

I left the office a bit stunned.  I was ready to tip the scale far into the “alien” category for the conundrum which was Craig, but first I had to check something out.  I scooted back to the mailroom, where my two co-workers were co-working, and said, “Okay, please tell me this makes sense to you,” and relayed what had been said upstairs in Craig’s domain.  Both judges laughed in earnest when I got to the punch line, so I could therefore conclude that it did, in fact, make sense.  If these two gentlemen, who were three to five years younger than I, could understand the response, surely an elder of a few years could.

Unless, of course, he had been born in another part of the galaxy. . . .

Sunday, October 9, 2011

The Rest Of My Life

by Thomas M. Pender

 
I met the Rest of my Life today –

And all in me
That is free and happy
Came out to play

We met before a crowd of friends
At a party held just for us two
And we touched

We asked Him who brought us here
If we could stay together
And He smiled over us

We gave our hearts
To one another
With a symbol
And a promise

Then I took my first steps
With the Rest of my Life
Into our future




written by t. michael pender  3/31/93
copyright 1993 T. Michael Pender.  All rights reserved.

Friday, August 19, 2011

The Stubs of My Lifetime


by Thomas M. Pender

Some – like You’ve Got Mail and Antz – may never come to mean much, but others – like the 50th Anniversary showing of Citizen Kane at Detroit’s legendary Fox Theatre – may just be a piece of history.  Still others – like Holes, the very first film my son Garrett saw in a movie theater at the age of 3 – are personally historical.

At some point in my 45-year love affair with movies, I decided to start saving the ticket stubs of each film I saw in the theater.  I knew most would never amount to anything, but my thinking was: Who knew back in 1982 that E.T. would become such a historical phenomenon?  And how exciting would it be to have an original ticket stub to that iconic film?  So, never knowing which movie would turn into a classic in the future, I saved stubs from every blockbuster and every turkey I paid to see.

Some don’t so much cause me to reminisce about the film itself, but rather the time or place.  I saw A Bug’s Life, The Siege and about a dozen other films at The Odeon Theatre (just around the corner from my flat in Kenosha, Wisconsin) from the fall of 1998 to the summer of 1999.  The films themselves don’t stand out as masterpieces to me, but they remind me of a short time in my life when I was in love with the place in which I lived, and the events that happened there.  I was renting the second storey of a turn-of-the-Twentieth-Century family home that had been converted into four flats.  Mine was the largest, being the entire second floor, and included two fireplaces and a small chandelier in the dining room.  The house was situated in the Library Park section of Kenosha, and not only was it a few short blocks from Orson Welles’ birthplace home and from Lake Michigan, but the home itself was listed as a historical structure.

None of this would likely matter to many other people, but to me, it was a wonderful place to live, and I’m reminded of that whenever I see the ticket stub for Affliction, and all the other shows I saw at the amazing little Odeon Theatre.  Affliction itself, lauded as it was, was probably one of the most achingly boring films I’ve ever seen, yet the time and place remain with me in the stub.  It happened to be the film that was showing at the Odeon when I left Kenosha.  I took a picture of the theater itself, and the marquee blares the boredom proudly.

I’m not really one to run out and see the “artsier” films, or the “Oscar buzz” shows.  I see what interests me.  Will Sotheby’s someday auction off my antique ticket stub to the showing of Green Lantern?  Doubtful.  Still, by keeping all of the stubs, however dubious their place in history may be, there is a chance that I’ll end up with a piece of cinematic history.  Even if I don’t, I’ll still have the stub to the film where my son fell asleep holding onto my arm, and woke up to climb in my lap and say, “I love you, Daddy.”  I’ll still have the stub to the film I went to see with my fiancĂ©e on her first trip to see me in America.

In the end, these are the historic events I wished to chronicle.